From 2007: Five Movies That Prove MPAA Ratings Are Broken

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In Kirby Dick’s film, “This Film Is Not Yet Rated,” Dick examines the MPAA ratings board members and explores the sketchy and seedy underbelly of our country’s ratings system. We learn that ratings, far from being an exact science, often leave people guessing as to what criteria are used when evaluating their films; that MPAA ratings amount to censorship; that raters are probably subject to the whims of studio pressure; and, ultimately, that the ratings board is completely unaccountable for its actions.

More than any year in recent memory, 2007 demonstrated that these assertions are true, through the preposterous ratings that have come out for some of the year’s most popular and/or highest grossing films. And while I will examine some of them during the course of this post, there are several premises that I base my arguments on, which will be important to understand before I get going:

Rating a movie with an R rating limits its reach, its audience, and potentially, its grosses – Since R is the only rating (other than NC-17) that actually prevents someone from being able to get into the theater, directors and studios will often bend over backwards to get the coveted PG-13 for an adult-themed movie. The reasons are obvious: PG-13 ratings open up the huge 12-16-year old market, and allows them to get into the theater unhindered (My local movie theater, for example, actually cards).

Parents trust film ratings as a guide to tell them whether or not they should take their children to see a film – Whether they are right to do so or not, the fact that they do remains a fact of life. And when parents take small children in to see a film that features dozens of maimings, impalings, and brutal murders because it’s only rated PG-13, you know that the system is broken somewhere.

Independent film studios hold less sway over the MPAA than big established studios – Paramount, Universal, and Disney have more money, more power, and more influence.

The MPAA has established itself as the de facto gatekeeper of who gets in and out of films. I don’t necessarily mind this, but if they’re going to do it, all I have to say is: don’t do such a crappy job of it. Without further ado, here are five films from 2007 that prove that the MPAA ratings system is unequivocally broken:

5. Once
What it was rated: R
What it should have been rated: Anything else less severe
Comments: One of the ratings rules that has actually become quite evident is the prohibition against the F-word. “Once,” winner and nominee of many awards (and listed by many critics as one of the best films of the year) is a completely innocuous, innocent, and sweet love story in which two people find a shared affection of music and for each other. But because the F-bomb is dropped a few times, the MPAA decided that it’s too extreme for your kids to watch. Also, in this slot, feel free to put in any other independent film this year (or any other year) that’s been dicked over by the MPAA’s shenanigans. While this example in and of itself is not enough to demonstrate the MPAA’s incompetence, the ones that follow show how ridiculous the “Once” rating decision truly was.

Here's a preview of "Once":

click here for the clip


4. Pirates of the Caribbean: At World’s End
What it was rated: PG-13
What it should have been rated: R
Comments: In an obvious display of Disney’s influence, this brutal film was given a PG-13, undoubtedly a fact that allowed it to rocket to an incredible box office take. The movie opens with the public hanging of a 10-year old boy, and features countless killings and maimings of pirates and soldiers, a couple scenes in which people are brutally burned by cannonball fire, an attempted rape, and in the most disturbing scene of the film, the complete annihilation of a man’s face with a Davy Jones’ tentacles. Not pleasant to watch and not appropriate for kids, despite its Disneyland ride pedigree.

Bonus video: See this spoiler-y video while it's still up and decide for yourself (fast forward to 6 minutes in to see what I think is the most gruesome death in the film):






3. Live Free or Die Hard
What it was rated: PG-13
What it should have been rated: R
Comments: The MPAA’s liberal stance on violence and conservativeness on foul language is fully on display here. It’s okay to show Bruce Willis graphically putting a gun into a wound in his shoulder and pulling the trigger, but having him say “Yipee Kay-yay Motherfucker,” as McClane’s character was meant to do is, of course, unacceptable. The film also featured a woman getting hit by a car, then plunging to a fiery death, dozens of graphic gunshot deaths, and a man getting ground up into a fine hamburger-y pulp. But no F-word and no sex means that kids are allowed to check this one out. Go here for the opposite perspective on this issue.

Bonus Video: Ignore the music and check out this summary of many of the film's killings (spoilers within):

Click here for the clip

2. Beowulf
What it was rated: PG-13
What it should have been rated: R
Comments: Despite being animated, this movie features an Angelina Jolie that’s basically naked, a hideous monster that murders - often brutally - dozens of townspeople (for example, he tore one in two and chewed off another one's head, slowly), several impalings, a graphic dislocation of an arm, a graphic severing of an arm, and lots of gore in the slaying of the monsters featured. One character's family is burned alive, although this is only implied off screen. I went to see it in IMAX 3d (a great experience, by any stretch of the imagination) but was disappointed to find out that several families had brought infants in with them to see the film. As I saw Grendel's horrific visage barrel onto the screen, a prelude to his murderous rampage, I myself was on the edge of my seat and just a little frightened. I can't imagine the mental scars that these kids in the audience would have to bear. Beowulf 3D is what little kids' nightmares are made of.

Bonus Video: Beowulf, rated PG-13, ironically has a red band trailer. Catch a glimpse of the gore here:

Click here for the clip
1. Taxi to the Dark Side
Comments: "Taxi to the Dark Side" is Alex Gibney's yet-to-be-released documentary looking at how our country slowly transformed, post-9/11, into one that tortures civillians and ignores the Geneva conventions. This top example on my list doesn’t concern the film’s rating as much as the MPAA’s preposterous decision to censor its poster, seen above (which, let’s all admit, is not so much inappropriate as it is shocking in its veracity). As Boing Boing put it, “MPAA message? Torture for entertainment is suitable for all ages. Torture examined in a documentary is not.” In a society in which the real-life torture of terrorists suspects is so salient to the American image in the world at large, the MPAA’s hampering of this movie’s messages strikes me as especially despicable.

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Reading over this post again, I sound like a prude, but in fact, I'm not arguing against violence, sex, or language in movies. I am strongly against censorship in any form, whether that comes in the form of an NC-17 rating for movies or an AO rating for videogames. I'm arguing that the MPAA should either 1) Use clear, sensible standards that every movie can abide by, and/or 2) Be publicly accountable with the methodology it currently rates films. Usually the argument about parents taking children in to see adult films is that the parents should know better. But if the MPAA does such a horrendous job of informing them, then I think more of the blame should fall on the organization them than on the parents.

Shame on you, MPAA. Shame on you for censoring great indendent films, while simultaneously bending to the will of studios and using leniency on their ratings. Shame on you for all the kids you've scarred by allowing their uninformed parents to take them into see the atrocities in films like "Beowulf." And shame on you for using politics in a time when America needs more honesty and self-examination about its international activities, more than ever.

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Update 1: Added in the word "sensible" to 2nd to last paragraph